Lucas Cranach
Kronach 1472-Weimar 1553
German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger, Related Paintings of Lucas Cranach :. | Christ and the Woman Taken in Adultery | Emilia and Sidonia | Ruhende Quellnymphe | Cowslip with a Lady bug | Details of Dr.Johannes Cupinian (mk45) | Related Artists: Nico KloppDen Nico Klopp war e letzebuergesche Moler. Hien ass den 18. September 1894 zu Bech-Maacher gebuer, an den 29. Dezember 1930 an der Stad Lëtzebuerg gestuerwen, wahrscheinlech un engem Gehirtumor, am Alter vun nëmme 36 Joer. Hie gëtt zu de postimpressionistesche Moler gerechent.
Säi LiewenDen Nico Klopp koum aus dem Wënzermilieu. Hien huet d'Handwierkerschoul an der Stad besicht. Seng Eltere si frei gestuerwen. No hirem Doud, huet hie sech fräi gefillt, fir vun 1915-1920 zu Dusseldorf a Weimar Konscht ze studeieren. Well hie vun der Konscht aleng net liewe konnt, war hien, vun 1923 un, Gemengereceveur zu Reimech.
Zäitweileg huet hien op Schoulen Zeechenunterrecht ginn, an huet nach en Täschegeld als Kannengerchersziichter verdengt. 1927 huet hie sech mat e puer anere Kënschtler, wei dem Joseph Kutter, dem Claus Cito, dem Auguste Tremont an anere vum Cercle Artistique getrennt, well him de Cercle ze reckstänneg war. Si goufe Sezessioniste genannt, well se 1927 e Salon de la Secession" organiseiert haten.
E puer vu senge Wierker sinn am Nationalmusee fir Geschicht a Konscht an der Stad ze gesinn.
Den Nico Klopp huet vill Biller vun der Musel gemoolt, bekannt si virun allem seng Biller vun der Muselbreck zu Reimech. Hien huet och Blummebiller gemoolt an dobäi hat hien eng Präferenz fir Tulpen. Ausserdeem war hien e Meeschter an Holz- a Linoschnëtter. MOLA, Pier FrancescoItalian Baroque Era Painter, 1612-1666
Painter and draughtsman, son of (1) Giovanni Battista Mola. His most characteristic works are small, intensely romantic scenes from mythology, the Bible, and from works by the poet Torquato Tasso, set in landscapes inspired by Venetian art. Yet he also received important public commissions for frescoes and altarpieces, and in his mature work he achieved an impressive synthesis of 17th-century Roman gran maniera painting with the stronger chiaroscuro and richer palette of the 16th-century Venetian style. He was a prolific and versatile draughtsman, who drew for pleasure as well as in preparation for commissions; he was also a witty caricaturist, who mocked himself and his friends as much as more typical targets michele di matteo lambertiniactive in Bologna 1416-1469
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